They don't fail often, but when they do it takes out a chunk of the matrix. Couple crosspoint switches, a PIC and you're halfway there.Just a head's up on the Synapses - they used a **very hard to find** (maybe custom?) set of ICs to handle all the switching.
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It's easy enough to do, but I spent the last year at home with the children due to distance learning. Wish I could find a Synapse or two at a price less than 10X what I paid for any MSB 2. But mine is one the use-cases where the router needs to be fully functional without being tethered to a computer. I’m glad the mio10 works for you, and if I could work exclusively on my own music, I imagine it would probably work great for me as well. And hooking up one my computers to live there is actually the opposite of where I would want to go, since my computer would not have the client’s familiar set of software, OS, and most especially, it would not have their sequences and project files. I could make it all work how I like best, but that’s not realistic for the mix of people I work with. Some of them will come in with all of their sequences in ableton on PC, others on Logic in Mac, others with everything stored in a touring workstation, and others still with any kind of hodge-podge of sequencers, and/or just composing or performing live in the room. The rig is there primarily for recording clients who are interested in recording with real discrete hardware. Ideally, I would like to have the ability for studio clients to plug in their own laptop, or not, as they see fit.
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Which means software on said computer to act as an editor/librarian would work just fine yet you say it wont?No, I typically do not have a computer connected to the studio’s main keyboard rig. Which means it would be hooked up to a computer via USB. So you want to use it as a USB interface.